Elizabeth Cotten

1895-1987

    Elizabeth Cotten was born near Chapel Hill, North Carolina on January 5, 1895.  Her parents, Mr. and Mrs.  Neville, could not agree on a name for her when she was born so she was called various things, like "Babe", "Little Sis", and "Shug". She still did not have an "official" first name when she started to school so she gave herself the name of Elizabeth. She began sneaking into her brother's room at the age of seven to  play his homemade banjo. She did domestic work at the age of  twelve to earn money to buy her first guitar, which she named "Stella".  Cotten’s way of playing the instrument was much different than others. She picked at the cords with her left hand, using two fingers, while her instrument laid upside-down on her lap. She married  Frank Cotten and at the age fifteen, her first child, Lillie, was born.

     Cotten continued doing housework as she moved with her husband and daughter between Washington D.C. and New York City. She seldom played the guitar during the next twenty-five years, only playing occasionally at church gatherings. After she and her husband got a divorce in 1940,  she moved in with Lillie and her five grandchildren in Washington D.C. While there, she worked for a while in a furniture shop and later in a Lansburgh department store. One day while she was working, little Peggy Seeger became lost in the store. Elizabeth was the one who found her returned her to her mother, Ruth Crawford Seeger. Seeger and Cotten became friends, and soon she was doing housework for the Seeger family. It has been said that Elizabeth Cotten was in the right place at the right time. The Seeger family were musicologists.  Peggy Seeger was learning to play guitar, Pete Seeger, Peggy's brother, was already a folk singer who played the guitar and banjo, and Ruth had written a song book for children. One day Elizabeth picked up one of the Seeger's guitars and started playing it. Peggy discovered her and very soon "Libba" as Peggy called her, was part of the Seeger's musical circle.

     In 1957, Cotten’s first album was produced. “Folksongs and Instrumentals with Guitar” was  released with the help of Mike Seeger, who had been recording Elizabeth since 1952.  Together Cotten and Seeger performed a concert at Swarthmore College in 1960. This was just the beginning of her musical career at the age of sixty-eight. She went on to play at many Folk Festivals throughout the years. Her most famous song was “Freight Train”,  which she wrote when she was twelve, and the song was later recorded by some of music's greats.

     Cotten continued with her folk music career. In 1979, she recorded Elizabeth Cotten, Volume 2: Shake Sugaree, and Volume 3: When I’m Gone.  In 1984, Elizabeth Cotten, Live! was released and she won a Grammy for Best Ethnic or Traditional Folk Recording. Some other honors Cotten received included: The National Folk Association’s Burl Ives Award, received the National Endowment for the Arts National Heritage Fellowship Award,  a nomination for a Grammy: Best Traditional Folk Recording, and  Elizabeth Cotten Grove Park was dedicated to her along with a street in New York City that was named for her. She also toured with Taj Mahal.

     After many years, Cotten’s hands became very weak.  She gave her last concert  in 1986 at the Philadelphia Folk Festival, not long before she passed away on June 29th, 1987.  Elizabeth Cotten left her folk music world at the age of 92. She is still an inspiration to many musicians today, and famous for her unique upside-down left handed finger-picking style. Two years after her death, Cotten’s photograph was added to the 75 influential African-American women collection, “I Dream a World”. Elizabeth Cotten can be seen on YouTube videos.

References:

 1)  Nishimura, Itsuko. Elizabeth Cotten. 29 Feb. 2004. http://www.geocities.co.jp/Hollywood/1061/cotton_bio.html.

 2)  Demerle’, L.L. Remembering Elizabeth Cotten. 29 Feb. 2004. http://www.eclectica.org/v1n1/nonfiction/demerlee.html.

Written by: Heather Germscheid, 2004

Edited by: Lillian Dolentz, 2009